20051130
Backyard Tire Fire | Bar Room SemanticsYes, their music rules as hard as their name does. Just when you thought alt-country went out with Pokémon, Backyard Tire Fire bring something new to the table, blending Moog with twangy rock and whiskey-pickled vocals. "The Daze" is undoubtedly the best narrative ever about a guy in a band (sorry "Juke Box Hero" fans). - Eric Shea
20051129
The Rolling Stones | Rarities 1971-2003This collection of collectors' rarities does not have the totally awesome "Claudine," or those legendary outtakes from Exile (which sound like a garage band and rule) but it's the Stones in the '70s (for the most part) that is the draw on this collection, so you're gonna wanna hear it. Not that the Stones need to put out *another* album (this makes 46 full-length Rhapsody albums), but the live "Tumblin' Dice" and "Beast of Burden" are worth the price of admission. - Mike McG
20051127
Dr. Dre | The ChronicWithout question one of the most important and influential albums ever, The Chronic brought Gangsta Rap to MTV in 1992 and made superstars out of Dre & Snoop, putting the izzle in sizzle for years to come. Fueled by Dre's revolutionary G-Funk production, the album merged streetwise rhymes with irresistible beats, spawning several platinum hits ("Let Me Ride," "Nuthin' But a "G" Thang") and inspiring a legion of wannabe Gs worldwide. What digital service got it up first? That's right, beeeatch. Rhapsodizzy in tha hizzy. Just chill...til the next episode...
20051123
Sound Directions | The Funky Side Of LifeFour years ago, the hip-hop producer Madlib built his own jazz sandbox: a half-instrumental, half-sampled project he called Yesterday's New Quintet that played a spaced-out version of early 70's hazz funk. He played all the parts himself...but now that he has hired great studio musicians- including Malcolm Catto, a much better drummer- and renamed the band Sound Directions, things are looking up. This new album, The Funky Side Of Life (Stones Throw) has dense, delirious grooves, perhaps despite the fact that it's also serious record-junkie stuff." - Ben Ratliff, New York Times
20051119
Wilco | Kicking TelevisionYou knew it would happen, a double live CD after the loooong and lucrative Ghost is Born tour. The new classics are deliciously Wilco, great live versions of "The Late Greats," "Hummingbird," and "Jesus, Etc.". Nels Cline really shines as the strongest addition to the band on "Hell Is Chrome" and the end of "Handshake Drugs". But where are the old classics? Thanks for comin' home "Via Chicago," but the "Kingpin" on tour was stellar, so why not release it? - TK
20051115
School for the Dead | The New YouWhen I found out that Troubled Hubble was breaking up, I was sad. But then I got an email (and a Rhaplink) from Henning Ohlenbusch of School for the Dead, and my spirits were raised. Their album The New You is catchy, witty, funny and easy to sing along to. "Photobooth Curtain" has become one of my favorite songs of the year, so poppy and happy. "I got a lot to learn from that girl." Yeah, you right, Henning. "Thug" is quite catchy too. Give it a whirl. - TK
20051114
Bedouin Soundclash | Sounding A MosaicMontreal's Bedouin Soundclash has made a splash in 2005, most notably on this summer's Warped Tour. Now before you think I'm going punk on you, give the album a listen. It's more ska/reggae than punk, and at it's core, it takes the Clash to create Bedouin Soundclash. Jay Malinowski's raspy, soulful wail will draw you in. Give a listen to the single "When the Night Feels My Song"- it has become a huge crossover hit on commercial Canadian radio. This album was produced by Bad Brains' Daryl Jennifer, if you're looking for punk cred. - TK
20051113
My Morning Jacket dressed up the Fillmore last weekend, literally bringing us "Into the Woods"- an enchanted forest of sound and feeling. It has been a long time since two nights of music had completely taken me over and helped me to see so clearly. If you are uninitiated, going to see My Morning Jacket is like taking a bath in good energy, it is spiritually cleansing and leaves you with a higher level of consciousness than you had before the experience. There was not a person in that room that was unaffected by this music. This band is really firing on all cylinders, after winning the unofficial Best of Bonnaroo set for two years running, they did a great long in-studio at KCRW in LA and then moved up the coast for multiple nights in the west coast's capital city for music. The songs played at the Fillmore from the new album, Z, were played impeccably, opening with "Wordless Chorus" both nights. "Off the Record" and "Lay Low" were just huge on both evenings, stretched out and groove inducing. From It Still Moves, "Run Thru" and "One Big Holiday" were exceptional, everyone yelling "Caaaaliffoorrniaaaaa" - still giving me chills to think about how great it felt in there. Maybe it was the comfort that the Fillmore brings, or not having to load in on Saturday and getting to chill all day in SF, but the amazing vibe from Friday was turned up a little notch for Saturday's throwdown. After what seemed like a 18 song first set, the hard rocking was interspersed on both evenings by beautiful acoustic songs like "Bermuda Highway," "Golden" and on Saturday, "The Bear" before kicking it up another few notches for the requisite "Mahgeetah" (which is not a complaint). I would go see MMJ any night of the week, because as Deb says, "There are no bad MMJ songs, no need to press." It's true, there's always a groove to catch, a building rhythm section, the intertwined guitars, the tight rhythm section of Tommy and Patrick dialed in like the aorta of the band, vertically placed between the axes of Carl and Jim, the texture of Bo's keyboards, and then The Voice of Jim James that brings it all together in the most epic of ways. J said, "It's been quite sometime since i have felt that type of anticipation before a show and the show lived up to and surpassed it."
Before it was all said and done, the song that closed the last of the encores on the second night, was an absolutely stellar rendition of the song that has most affected me mentally on the Z album, "Anytime." Read the "Anytime" Lyrics:
Is This Climbing Up To The Moon?
Or Did It Bail Out Too Soon?
I Hope We Didn't Wait Too Long.
All That I Wanted To Say
Words Only Got In The Way.
But Then I Found Another Way To Communicate.
Is This "Climbing Up To The Moon?"
Or Did It Fade Out Too Soon?
I Know We Didn't, I Know We Didn't Wait Too Long
Cause Anytime's A Good Time To Move On.
Things I Could Say To Myself
I Could Never Say To Anyone Else.
But What Madonna Said Really Helped
She Said: "Boy - You Better Learn To Express Yourself!"
I Know We Didn't, I Know We Didn't Wait Too Long.
Cause Anytime's A Good Time To Move On.
20051110
Rogue Wave | Descended Like VulturesRogue Wave continue their mad scramble to the top of the indie heap with this confident second full length record. Besting their debut (2003's Out of the Shadow, they mix the catchy, polished appeal of breakthrough indie acts ("Love's Lost Guarantee" and "Are You By My Side" can match anything by Death Cab) without sacrificing their innovative use of studio effects, as heard in the clanging "10:1." The kids love 'em, they've scanned over 4,000 units in two weeks since the album came out, almost half of them digitally. - Michele K-tel
20051109
Beastie Boys | Solid Gold HitsWell, Paul's Boutique it is not, but the Beasties finally have some classic tracks up on Rhapsody, in the form of this new greatest hits package from Capitol. Rhapsody already streams the 1986 masterpiece Licensed to Ill from the Def Jam era, before they moved west when they were still from Manhattan (MCA from Brooklyn). Solid Gold Hits features some Paul's classics like "Shake Your Rump" and "Hey Ladies," as well as Check Your Head staples like "So What'cha Want" and "Pass The Mic", as well as some more recent stuff that was less inspiring as they became wealthier and not as irreverent/irrelevant. -TK
20051103
Buckethead | Enter The ChickenMoving beyond the great late Bruce Lee kung-fu flick Enter The Dragon, the man with the bucket on his head brings his axe and his friends to a new release, just live in Rhapsody. BUCKETHEAD & FRIENDS make their striking debut with Enter The Chicken on Serjical Strike Records, the label spearheaded by System of a Down's Serj Tankian. Joining Buckethead is a wide spectrum of vocalists and players including Tankian, Efrem Schulz of Death By Stereo, Saul Williams, Gigi Laswell, and Azam Ali of Vas, just to name a few. 11 different singers specializing in musical styles ranging from opera, metal, rap, indie rock, grindcore, world and everything in between found their way onto Enter The Chicken. It's intense, entering the chicken. - TK
20051101
Santana | All That I AmTonight (11.01) Real is hosting a special Carlos Santana performance Hammerstein Ballroom in NYC, celebrating the release of his new album, All That I Am. Rhapsody Presents a free, live webcast of the event, that you can get to from this micro-site at 8pm EST/5pm left coast time. In addition to the concert, select performances from the concert and other videos will be available through Rhapsody, RollingStone.com, and the RealGuide in the coming weeks, with proceeds benefiting Santana's Milagro Foundation, which serves at-risk youth through educational programs and health services.
More info at rhapsody.com/santana.

TV on the Radio
My Morning Jacket
Delta Spirit
Islands
Big Light
Bon Iver
Fleet Foxes
Dr. Dog
Great Northern
Pela
Bishop Allen
Spoon
Andrew Bird
Wilco
Band of Horses
Two Gallants
Great Lake Swimmers
The Avett Brothers
Cloud Cult
Kings of Leon
Band of Horses
The Slip
Cold War Kids
Rotary Downs
Margot & The Nuclear So and So's * The Dust of Retreat
Built to Spill
Brett Dennen
The Whigs
My Morning Jacket
The Format
Two Gallants
The Raconteurs
Dirty on Purpose
Ratatat
Beneveto-Russo Duo
My Morning Jacket
Apollo Sunshine
Andrew Bird
Fiona Apple
Dr. Dog
White Stripes
Spoon
Benevento-Russo Duo
Dungen
Stephen Malkmus
The Mars Volta
The Magic Numbers
Clap Your Hands Say Yeah
Clap Your Hands Say Yeah
Sufjan Stevens

My Morning Jacket
Best enjoyed in the 54 minutes before sunrise, Summer in Abbadon has equal parts soft breath and raucous screaming, layered guitars and vocals that somehow equal something larger and gorgeous. This is a magical record, one of the best of 2004, and I believe Pinback's best effort to date. "AFK" will make you think twice, it's elusive and thoughtful. What a great record.
It's a flawless album, LP has the mark of a great album - no matter my mood, I can pop it in and listen to it straight through, start to finish. LP was my number one record of 2004. "Stay Where You Are" and give it a spin, also "Stay Tuned" for we hope there is more to come from Ambulance LTD.
You're only making this list if your album is stellar from start to finish. The 2003 release of Penturbia somehow eluded me until two years later, but I'll never forget it again. I love my canoe, and you too. It's one big world and one small me. When will I come to terms that the only constant thing in life is change? Every song, so good. Hear it.
See where genre-defying innovators The Slip started it all. This is the very sophisticated debut album created by three teenagers from Providence, R.I. Gecko features classic instrumentals "Munf," "Yellow Medicine," "Cumulus," and "Spice Groove," as well as lyrical favorites "Alsoa" and "The Weight of Solomon."
The first Ben Folds Five album is a masterpiece. This is a top ten record of all time for me. BF5 features the classics "Underground," "Best Imitation of Myself," "My Philosophy" and "Alice Childress" - honestly, every song has it's own merits, I never get sick of this piano pop record.
The final Pavement album is in my mind, their best. Before yoiu S&E purists bash me, go back and listen to the record. TT is a masterpiece, the songwriting is poetic and disturbing, but you'll never know until you dig deep. This is a lesson in how relationships end, some are pleasant and others are painful. If you are not grabbed by the pop beauty of "Speak, See Remember" or "Major Leagues" then dig deeper and read into "Bilie" or "Folk Jam" - just don't 'waste your precious breath explaining that you are worthwhile.'
The second BHTM album was recorded on a two track in basements in the midwest and the raw, underproduced sound has helped it stand the test of time. Even after fifteen years of years of regular listens, this record continues to shine brightly like "city burning like a dream" or like the light from a tower in the distance, just "broadcasting it's resistance through the rain and through the night. Listen, and you will believe that "yes indeed, there is a paradise...and a band is playing there."